John Edward Costigan’s collection of work of art traverses the greater part of the mediums, for example, oil, watercolor, drawing, and lithography that give a broad investigation of the peaceful, yet additionally record the substances of the craftsman’s rustic life. Relatives filled in as models for his scenes, with spouse Ida an essential model for the single ladies and protective figures. His five youngsters, as well, and later grandchildren, were persuasive in giving a premise to numerous pieces. Notwithstanding these binds to determinations of time and historical experience, Costigan’s scenes are likewise outside of time, in the quiet and to some degree idealistic universe of the peaceful.